托福 TPO-068 整合寫作主題是安塞爾.亞當斯的攝影作品,內容主要在探討某批拍賣的 1920 年代攝影底片是否是美國著名攝影師安塞爾.亞當斯的攝影作品。
【經典美語】獨家課程
〈寫作職人〉謝忠理老師親授
托福寫作 25+ 輕鬆取分
托福寫作專修班 4 堂課,帶你寫作拿到 25+
托福寫作一直停在 20 出頭?那應該是沒有掌握寫作取分秘訣。
托福考生只要具備「國中英文文法能力」,搭配「高中英文單字能力」,我們就有把握利用短短 4 堂【托福寫作專修班】課程,帶您掌握托福寫作通關密碼,穩穩拿到 25+ 的寫作分數。
短期課程,快速有效,助您以現有的英文能力,提高考試分數。
課程說明請點選下列按鈕,並歡迎預約試聽 (實體、雲端)。
Photographs by Ansel Adams 安塞爾.亞當斯的攝影作品
托福 TPO 068 考題符合托福 iBT 整合寫作的標準格式:在閱讀內容部分,作者提出三個理由用以主張加州某批拍賣的攝影底片乃安塞爾.亞當斯的攝影作品。而在講課內容部分,則對此三項理由一一加以反駁。
在閱讀內容方面出現一些專業術語,但是都不難理解,因為文章都有附上補充說明。而在講課內容中,均沿用閱讀段落的術語,並沒有出現新的專業詞彙,所以不會有聽力部分遭到突襲的憂慮。
整篇難度屬於中等程度。只要能夠掌握整合寫作的聽力技巧、寫作格式、並通曉評分原則,應該能夠拿到至少 25 分。
本份考題英文原文與對應之中文翻譯整理如下。練習作答解題時若有對語意不清楚之處,請仔細查閱對照,以提升閱讀與聽力的理解能力。
Reading 閱讀內容
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At a sale at a private home in California several years ago, a man purchased a box of photographic negatives stored in envelopes (negatives are photographic images on film or glass from which actual photographs can be made). The negatives dated from the 1920s and showed landscape scenes of the western United States. While the negatives carried no indication of the name of the photographer who created them, some people have concluded that the negatives were in fact made by the landscape photographer Ansel Adams, one of the greatest American photographers of the twentieth century. Several arguments have been offered in support of this idea.
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First, the negatives include images of landscape features that Ansel Adams is known to have photographed. One of the negatives shows a large pine tree leaning downward on a cliff. The same distinctively shaped tree appears in another photograph that, without a doubt, was taken by Adams in the 1920s.
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Second, the envelopes holding the negatives are numbered and marked with handwritten place names. The handwriting on the envelopes seems to resemble the handwriting of Virginia Adams, Ansel Adams’ wife. Virginia Adams is known to have assisted her husband in his work, so those who believe that Ansel Adams created these negatives have concluded that she helped her husband organize these negatives by numbering them and recording the names of the places where the images were created.
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Third, a number of the negatives have been damaged by fire. It is well known that Ansel Adams’ photography studio had a fire that destroyed or damaged nearly a third of his negatives. The fact that some of the negatives bought at the sale have fire damage is consistent with the idea that they once belonged to Ansel Adams.
Lecture 講課內容
提供講課內容的中文翻譯有兩個目的。首先是幫助聽力有困難的同學能夠快速且精確地了解原文的意思。而更重要的原因是,提供給練習英語口語表達的讀者訓練的素材。
由於每個人的知識範疇各不相同,因此碰到超出自己專長的領域,常常會啞口無言,無話可說。這對練習英語表達是一項非常難以克服的障礙。所以參考托福整合寫作英語原稿,既可以讓自我練習英語聽力或會話時有貼切適當的素材,同時也能學些道地的表達方式,實是一舉數得。
使用上,可以在聽完一、兩次原始音檔之後,試著一邊看中文譯稿,一邊流利、正確地用英語說出文中的內容。多次練習之後,未來自然能夠在碰到同樣主題時與人侃侃而談。
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Now, listen to part of a lecture on the topic you just read about.
The reading's arguments that the photographic negatives were created by Ansel Adams are not convincing. It's true that the negatives have some similarities to Adams' work, but there are explanations for those similarities.
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First, the leaning pine tree that appears in one of the negatives. Well, this tree is not just a random tree that Ansel Adams took a liking to. In fact, this tree is a famous landmark in Yosemite National Park. The park has hundreds of thousands of visitors in the 1920s. And the pine tree captured on the negative happened to be one of its most visited sites. Because the tree was such a popular symbol of Yosemite, a lot of photographers, not just Ansel Adams, are known to have taken photographs of it.
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Second, the handwriting on the envelopes. As you read, some of the envelopes have a place name written on them, for example, names of famous Yosemite landmarks. But the person who wrote the names of the locations on the envelopes did not spell some of them correctly. Now, Virginia Adams grew up in Yosemite. Her father was an artist who had an art studio in the park, so she knew Yosemite very well. Does it really make sense that she would misspell place names familiar to her since childhood?
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Third, about fire damage to the negatives. The process that photographers use to create negatives in the 1920s was dangerous. It involved using highly flammable chemicals. And these chemicals could cause a fire to start very easily. So a fire in a photographer's studio was not an unusual occurrence in those days and a great number of professional photographers had work that was damaged by fire.
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